:: editing & curating
Guest curator, CD to accompany a special issue on improvisation and technology, Leonardo Music Journal 20 (2010, forthcoming).
Pink Noises: Women on Electronic Music and Sound, Duke University Press (2010). Twenty-four interviews with women who are electronic musicians, DJs, sound artists; with critical introduction on gender and audio cultures.
Guest editor, "Sound and the Social Organization of Space," Leonardo Music Journal 16 (2006). A curated special section featuring artist statements from Carrie Bodle, Beth Coleman & Howard Goldkrand, Chris Kubick & Anne Walsh, Trevor Paglen, and Matt Volla.
:: history & theory
"Synthesis: Technologies and Others in the Evolution of Synthesized Sound." PhD dissertation, Department of Art History and Communication Studies, McGill University (in progress).
"On the Process and Aesthetics of Sampling in Electronic Music Production." Organised Sound 8 no. 3 (2003): 313-20. Critical essay on musical, social, and political dimensions of sampling.
:: artist statements
On the audiovisual installation "Places I've Lived and Traveled To, 1973-2005," for Tools of Mind, a special issue of FO A RM curated by Matt Marble (2007).
"Butterfly Effects: Synthesis, Emergence, and Transduction," Special issue, "Wild Nature and the Digital Life," Leonardo Electronic Almanac 14, no. 7-8 (2006). On a quad sound installation written in SuperCollider that maps behaviors of migrating butterflies.
:: interviews
In Vague Terain: Digital Art/Culture/Technology, "Process" issue (2007).