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BIBLIOGRAPHY:
Suggested readings on music, gender + technology.
Women, Gender & Popular Music
Aparicio, Frances R. Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures. Hanover & London: Wesleyan University Press, 1998.
Baranovitch, Nimrod. China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997. Berkeley: University of California Press, 2003.
Bayton, Mavis. "How Women Become Musicians." In Frith, Simon, and Goodwin, Andrew, eds. On Record: Rock, Pop, and the Written Word. New York: Pantheon Books, 1990.
Bost, Suzanne. "'Be deceived if ya wanna be foolish': (Re)constructing Body, Genre, and Gender in Feminist Rap." Postmodern Culture 12:1 (September 2001).
Bradby, Barbara. "Do-Talk and Don't-Talk: The Division of the Subject in Girl-Group Music." In Frith, Simon, and Goodwin, Andrew, eds. On Record: Rock, Pop, and the Written Word. New York: Pantheon Books, 1990.
Bufwack, Mary A. Finding Her Voice: The Saga of Women in Country Music, 1800-2000. Nashville, TN: Vanderbilt University Press, 2003 (reprint edition).
Davis, Angela Y. Blues Legacies and Black Feminism: Gertrude 'Ma' Rainey, Bessie Smith, and Billie Holiday. New York: Random House, 1999.
Gaar, Gillian G. She's A Rebel: The History of Women in Rock and Roll. Seattle: Seal Press, 2002.
Harrison, Daphne Duval. Black Pearls: Blues Queens of the 1920s. Rutgers University Press, 1990 (reprint edition).
Koskoff, Ellen, ed. Women and Music in Cross-Cultural Perspective. Urbana and Chicago: University of Illinois Press, 1987.
McDonnell, Evelyn, and Ann Powers. Rock She Wrote. New York: Cooper Square Press, 1999 (reprint edition).
McRobbie, Angela. "Settling Accounts With Subcultures: A Feminist Critique." In Frith, Simon, and Goodwin, Andrew, eds. On Record: Rock, Pop, and the Written Word. New York: Pantheon Books, 1990.
O'Brien, Lucy. She Bop 2: The Definitive History of Women in Rock, Pop and Soul. New York: Continuum, 2002.
Park, Jane. "Cibo Matto's Stereotype A: Articulating Asian-American Hip Hop." (in press; full ref to come)
Reynolds, Simon, and Joy Press. The Sex Revolts: Gender, Rebellion, and Rock 'n' Roll. Cambridge: Harvard University Press, 1996 (reprint edition).
Rose, Tricia. "Bad Sistas: Black Women Rappers and Sexual Politics in Rap Music." ch. in Black Noise: Rap Music and Black Culture in Contemporary America. Hanover & London: Wesleyan University Press, 1994.
Tucker, Sherrie. Swing Shift: 'All-Girl' Bands of the 1940s. Durham, NC and London: Duke University Press, 2000.
Walser, Robert. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, NH: Wesleyan University Press, 1993.
Whiteley, Sheila. Women and Popular Music: Sexuality, Identity and Subjectivity. London and New York: Routledge, 2000.
Whiteley, Shelia, ed. Sexing the Groove: Popular Music and Gender. London and New York: Routledge, 1997.
Gender, Electronic Music & DJ Cultures
Bradby, Barbara. "Sampling Sexuality: Gender, Technology and the Body in Dance Music." Popular Music 12:2 (1993).
Gilbert, Jeremy, and Ewan Peason. Discographies: Dance Music, Culture and the Politics of Sound. London and New York: Routledge, 1999.
Keightley, Keir. "'Turn it down!' She Shrieked: Gender, Domestic Space, and High Fidelity, 1948-59." Popular Music 15:2 (1996).
McDonnell, Evelyn. "Why Aren't More Geeks With the Gizmos Girls?" New York Times April 12, 1998.
Electronic & Experimental Music History
Chadabe, Joel. Electric Sound: The Past and Promise of Electronic Music. Upper Saddle River, NJ: Prentice Hall, 1997.
Chanan, Michael. Repeated Takes: A Short History of Recording and Its Effects on Music. London and New York: Verso Books, 1995.
Fikentscher, Kai. "You Better Work!" Underground Dance Music in New York City. Hanover & London: Wesleyan University Press, 2000.
Kahn, Douglas. Noise Water Meat: A History of Sound in the Arts. Cambridge and London: The MIT Press, 1999.
Oliveros, Pauline. Software for People: Collected Writings, 1963-80. Baltimore, MD: Smith Publications, 1984.
Reynolds, Simon. Generation Ecstasy: Into the World of Techno and Rave Culture. Boston: Little, Brown, 1998.
Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC and London: Duke University Press, 2003.
Taylor, Timothy D. Strange Sounds: Music, Technology & Culture. New York and London: Routledge, 2001.
Theberge, Paul. Any Sound You Can Imagine: Making Music/Consuming Technology. Hanover & London: Wesleyan University Press, 1997.
Thompson, Emily. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933. Cambridge and London: The MIT Press, 2002.
Feminist & Queer Musicology
Brett, Philip, Wood, Elizabeth, and Gary C. Thomas. Queering the Pitch: The New Gay and Lesbian Musicology. New York and London: Routledge, 1994.
Corbett, John, and Kapsalis, Terri. "Aural Sex: The Female Orgasm in Popular Sound." The Drama Review 40:3 (Fall 1996): 102-111.
Currid, Brian. "'We Are Family': House Music and Queer Performativity." In Cruising the Performative: Interventions into the Representation of Ethnicity, Nationality, and Sexuality, Sue-Ellen Case, Philip Brett, and Susan Leigh Foster, eds. Bloomington and Indianapolis: University of Indiana Press, 1995.
Frith, Simon, and Angela McRobbie. "Rock and Sexuality." In Frith, Simon, and Goodwin, Andrew, eds. On Record: Rock, Pop, and the Written Word. New York: Pantheon Books, 1990.
McClary, Susan. Feminine Endings: Music, Gender, and Sexuality. Minnesota and Oxford: University of Minnesota Press, 1991.
McClary, Susan. Conventional Wisdom: The Content of Musical Form. Berkeley: University of California Press, 2000.
Solie, Ruth A. Musicology and Difference: Gender and Sexuality in Music Scholarship. Berkeley: University of California Press, 1995 (reprint edition).
Feminist Ethnography/Methodology
Gluck, Sherna Berger, and Daphne Patai. Women's Words: The Feminist Practice of Oral History. New York and London: Routledge, 1991.
Armitage, Susan H. (ed). Women's Oral History. University of Nebraska Press, 2002.
Interview Anthologies
Duckworth, William. Talking Music: Conversations With John Cage, Philip Glass, Laurie Anderson, and Five Generations of American Experimental Composers. New York: Da Capo Press, 1999.
Fricke, Jim, and Charlie Ahearn. Yes Yes Y'All: The Experience Music Project Oral History of Hip-Hop's First Decade. New York: Da Capo Press, 2002.
Gagne, Cole, and Tracy Caras. Soundpieces: Interviews With American Composers. Metuchen, NJ and London: Scarecrow Press, 1981.
Gagne, Cole. Soundpieces 2: Interviews With American Composers. Metuchen, NJ: Scarecrow Press, 1993.
Sinker, Daniel. We Owe You Nothing; Punk Planet: The Collected Interviews. New York: Akashic Books, 2001.
Sumner, Melody, Kathleen Burch and Michael Sumner (eds). The Guests Go In To Supper. Oakland: Burning Books, 1986.
New Media Art & Theory
Balsamo, Anne. Technologies of the Gendered Body: Reading Cyborg Women. Durham, NC: Duke University Press, 1996.
Malloy, Judy (ed). Women, Art, and Technology. Cambridge and London: The MIT Press, 2003.
Flanagan, Mary, and Austin Booth (eds). Reload: Rethinking Women + Cyberculture. Cambridge and London: The MIT Press, 2002.
Haraway, Donna J. "A Cyborg Manifesto" (1991). In Sex/Machine: Readings in Culture, Gender, and Technology. Bloomington & Indianapolis: Indiana University Press, 1998.
Hayles, N. Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago and London: The University of Chicago Press, 1999.
Kolko, Beth E., Nakamura, Lisa, and Rodman, Gilbert B. Race in Cyberspace. London and New York: Routledge, 1999.
Lerman, Nina, and Arwen Mohun (eds). Gender and Technology: A Reader. Johns Hopkins University Press, 2003.
Nakamura, Lisa. Race, Ethnicity, and Identity on the Internet. London and New York: Routledge, 2002.
Nelson, Alondra, Alicia Headlam Hines, and Thuy Linh Tu (eds). Technicolor: Race, Technology, and Everyday Life. New York: New York University Press, 2001.
Wajcman, Judy. Technofeminism. Cambridge, UK: Polity Press, 2004.
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